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“There is no such thing as a bad client. Part of our job is to do good work and get the client to accept it.” -594 Gallery Participant

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Friday, March 24, 2017

in Steel

This work was first exhibited at Advanced Course
 an Market Photo Workshop in 2009, as pat of student exhibition.
The exhibition consists of slideshows detailing two major bodies of work by each of the five students. Following the projections, a discussion forum will be held by the students and trainers; members of the public are welcome to participate. The discussion will aim to investigate the creative processes involved in the development and production of a self-motivated body of work – from its creative inception to its final installation.
The discussion will be moderated by Loyiso Oldjohn.
About the Advanced Course

The Advanced Course provides students with the technical, academic, and infrastructural support necessary to develop an independent and substantial body of work.
 
The Advanced Course boasts some of the most respected and highly-regarded trainers in the visual arts industry, and include Christo Doherty, John Fleetwood, Sharlene Khan, Dorothee Kreutzfeldt, Peter McKenzie, Jo Ractliffe and Usha Seejarim.
The Advanced Course is generously funded by Ausaid.

later in 2010 Considering Documentary exhibition at Market Photo Workshop
Considering Documentary is an exhibition of contemporary documentary photographs from the Market Photo Workshop. The exhibition ran at The Photo Workshop Gallery from 10 February-21 May.
Considering Documentary is an exhibition that explores the social, personal and generic dimensions of a selection of contemporary documentary photographs, video and audio works. The works included in this exhibition approach documentary photography in a refreshing and often confrontational manner, while at the same time, photographers demonstrate a curious and considered approach to their subjects. Consisting of works drawn entirely from the Market Photo Workshop’s collection, the photographers included in the exhibition are all students and recent alumni of the institution.
Considering Documentary has been made possible by funding from the Market Theatre Foundation and the National Arts Council.


Steel as a course of security/boundary
©Morris Teboho Mohanoe

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© Morris Teboho Mohanoe